M T W T F S S M T W T F S S
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Concerts for schoolchildren

Concerts for schoolchildren N. 2 Pianissimo

FELIX MENDELSSOHN
Simphony N. 4 in A major, Op 90 “Italian”
GIACOMO PUCCINI
La bohème, opera in four quadri
GIOACHINO ROSSINI
Guillaume Tell, opera in four acts
JACQUES OFFENBACH
Les contes d’Hoffmann, fantastic opera in five acts
LÉO DELIBES
Lakmé, opera in three acts
9

Concerts for schoolchildren

Concerts for schoolchildren N. 2 Pianissimo

FELIX MENDELSSOHN
Simphony N. 4 in A major, Op 90 “Italian”
GIACOMO PUCCINI
La bohème, opera in four quadri
GIOACHINO ROSSINI
Guillaume Tell, opera in four acts
JACQUES OFFENBACH
Les contes d’Hoffmann, fantastic opera in five acts
LÉO DELIBES
Lakmé, opera in three acts
10

Concerts for schoolchildren

Concerts for schoolchildren N. 2 Pianissimo

FELIX MENDELSSOHN
Simphony N. 4 in A major, Op 90 “Italian”
GIACOMO PUCCINI
La bohème, opera in four quadri
GIOACHINO ROSSINI
Guillaume Tell, opera in four acts
JACQUES OFFENBACH
Les contes d’Hoffmann, fantastic opera in five acts
LÉO DELIBES
Lakmé, opera in three acts
11

Family concert

Family Concert N. 2 Pianissimo

FELIX MENDELSSOHN
Simphony N. 4 in A major, Op 90 “Italian”
GIACOMO PUCCINI
La bohème, opera in four quadri
GIOACHINO ROSSINI
Guillaume Tell, opera in four acts
JACQUES OFFENBACH
Les contes d’Hoffmann, fantastic opera in five acts
LÉO DELIBES
Lakmé, opera in three acts
12


Season Subscription Concert no. 11

OST season 2009-2010

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March 26th Friday 20:30 h.

  • ALFRED SCHNITTKE Concerto for violin and orchestra No. 4*
  • LUDWIG VAN BEETHOVEN Symphony No. 7 in A major, Op 92

* First time by this orchestra

In this programme, Lü Jia brings us one of the most charismatic contemporary violinists and conductors, the colossal Latvian Gidon Kremer, whose outstanding career has been devoted to both the instrument he has become famous in and his work at the head of the Kremerata Baltic. In both fields he has combined, with great versatility, a command of the canonical and a decisive commitment to contemporary creation. It is therefore not surprising that, for this event, he has chosen Concerto no. 4 by the Russian Alfred Schnittke, whose corpus of violin concertos he has recorded for Teldec. Schnittke has been one of the most relevant Russian composers from the generation immediately following Shostakovich's and the influence of the latter is tangible in his first stage; he later briefly tried out atonalism and finally opted for a deliberate eclecticism that has been dubbed polystylism. The re-encounter with tradition is guaranteed with Beethoven's Symphony no. 7.